quinta-feira, 21 novembro, 2024

Finalmente o reconhecimento da Batida Perfeita de Clyde Stubblefield…

Quem um dia imaginaria que um solo de bateria de 20 segundos influenciaria toda uma geração de artistas do Pop e do Hip-Hop…?!

Março de 1970… Chega às paradas americanas mais um clássico do inigualável “James Brown”, “Funky Drummer”. Durante a sua gravação em estúdio, em 20 de Novembro de 1969 em Cincinnati, Ohio, “Clyde Stubblefield”, baterista integrante da “The James Brown Orchestra” assina seu nome no rol da fama musical com um autêntico solo de bateria para finalizar Funky Drummer com chave de ouro. Certamente Stubblefield não imaginou que seu solo faria a cabeça de muitos nomes importantes do cenário musical como “Public Enemy”, “LL Cool J”, “Beastie Boys”, “NWA”, “Run DMC”, “Sinead O’Connor” e até mesmo “Kenny G” que explicitamente o sampleariam para a construção de seus respectivos clássicos. Mas onde está a grande polêmica neste caso…?! Durante quatro décadas esta poderosa linha de batidas de Stubblefield foi usada e abusada pelos artistas, porém, poucas vezes se teve o devido reconhecimento de sua criação, seja em créditos nos álbuns, ou o pior, por meio de royalties, o que seria mais digno neste caso. No entanto, mesmo com o esforço de obter o devido reconhecimento de sua obra, Stubblefield era impedido de receber, pois todos os créditos iam sempre para Mr. Dynamite como compositor da música.

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Mas ao que parece, o desrespeito a brilhante criação sonora de Clyde Stubblefield está com seus dias contados. Lançado em janeiro de 2010 o documentário Copyright Criminals”, de “Benjamin Franzen” e “Benjamin Franzen” aborda com profundidade o valor criativo e comercial da amostragem musical, trazendo em suas imagens debates acerca de temas essenciais como “expressão artística”, “direito de autor” e “dinheiro”. Em Copyright Criminals, além das participações inusitadas de personalidades como “Shock G”, “DJ Q-Bert” “Bobbito García”, “Chuck D”, “De La Soul”, “Eclectic Method”, “George Clinton”, “Hank Shocklee” (The Bomb Squad) e “DJ Mix Master Mike” um dos pontos altos do documentário é nada menos que Clyde Stubblefield, creditado como um dos artistas mais sampleados de todos os tempos. Outra grande iniciativa em prol dos direitos de Clyde Stubblefield foi a edição especial contendo 2 DVDs do documentário original de Copyright Criminals, além de um LP em homenagem ao baterista, que traz o mesmo título de seu clássico, “The Funky Drummer Edition”. Em Copyright Criminals: The Funky Drummer Edition”, “Chuck D”, “Questlove” e “Black Thought”, do The Roots” e o grupo inglês de DJs  “Eclectic Method” se uniram a Clyde Stubblefield para formar a “The Copyright Criminals All Star Band”, projeto que pretende dar mais visibilidade a campanha pelos direitos autorais na música tendo Stubblefield como referência principal dessa luta e um dos beneficiários de parte dos tão sonhados royalties, traduzidos em 15% como reza a lei.

Clyde Stubblefiel nasceu em 18 de abril de 1943, em Chattanooga, Tennessee, nos Estados Unidos e ficou mundialmente popular como baterista de James Brown ao gravar canção Funky Drummer. Ele mesmo revela que o groove sampleado surgiu numa jam session que aconteceu junto a outros músicos no estúdio enquanto Brown não chegava…  Atualmente Stubblefield vive em Madison, Wisconsin e se encontra na fila por um transplante de rins. Freqüentes eventos promovidos por músicos amigos para a captação de recursos para o tratamento do baterista, como o que obviamente está acontecendo em The Funky Drummer Edition…

Sobre DJ TR

Além disso, veja

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